Stevie Wonder – He’s Misstra Know-It-All

This song by Stevie Wonder, on his phenomenal social and musical achievement, the Innervisions album of 1973, takes on the 37th US president, Richard Nixon. Well, the lyrics detail an over-confident, know-it-all trickster. But it was widely figured to be about “Tricky Dick.”

You might today feel it applies to President Donald Trump, too, with verses like:

Makes a deal
With a smile
Knowin’ all the time that his lie’s a mile
He’s Misstra know-it-all

Must be seen
There’s no doubt
He’s the coolest one with the biggest mouth
He’s Misstra know-it-all

Also by Stevie Wonder and reviewed here:

Some other songs here about Richard Nixon:

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Aimee Mann – Can’t You Tell?

Old school hipsters will want you to know that like them, you should appreciate Aimee Mann. She led 80’s new wavers ‘Til Tuesday, but has a longer, more distinguished, if low-key, solo career.

Today, with this song, Mann is singing as if she was 2016 Republican presidential candidate, Donald Trump.

It is part of an artist’s campaign, sort of like these social media challenges of posting inspirational happenings for one month. This one, is 30 Days, 30 Songs, wanting a “Trump-Free America.”

Mann imagines “The Donald” as a sociopath who has no plan for America beyond winning. He can’t stop the damage he is wreaking, and would wreak more, if president. But that, Trump has a conscience and truly, privately wishes someone would put a stop to him getting the top political job of the land.

Who is to blame? Trump for, sure. But Mann as Trump suggests his supporters carry responsibility, too, wanting to crown Donald Trump and troll and lambaste his detractors. That’s an interesting point: Donald Trump is who he is, but what is it in the American political culture that has put this person in prominence?

One could argue, this instalment of 30 Days, 30 Songs could try to get into the minds of Trumpsters to better understand their feelings and motivations, and support for Trump. What gave rise to their stridency?

Mann doesn’t like Trump, and by extension, maybe his adherents, too? But the song even accords some humanity to the man. This is not just from it suggesting Donald wants off this runaway train, but through the tune’s fluid, effortless melody and soothing, jangly instrumentation.

It might be one of the sweetest salves of a protest song, despite Trump being so abrasive in style?